IMPRESSION

designer: Maki Kouno

Purple flowers resting on ink black-colored patterns.
This multi-purposeful design with a soothing shade complements Japanese or Western-style attire.

AYAKO

designer: Jun Ito

A geometric pattern constructed with diagonal lines (Aya) and arcs (Ko).
The remarkably beautiful latticework changes its form with every wrap and the beauty of the interwoven arcs will stand out.

AYAKO [green]

designer: Jun Ito

A geometric pattern constructed with diagonal lines (Aya) and arcs (Ko).
Turquoise and light green lines on dark brown ground - this color combination suits not only women but also young men.

PEONIES AND MUMS

designer: Maki Kouno

Peonies and chrysanthemums are spread large across the fabric.
The Chinese-style blue is a fresh hue.

Panda

designer: Masumi Hotta

A panda family is riding in a hot-air balloon in the blue sky. The motif drawn in watercolor is printed. Its bright design would lighten your heart. You can enjoy the vivid colors of watercolor in this furoshiki.

MARINE STRIPES

designer: Jun Ito

The stripes are designed to look nice when wrapped in shape of a bag.
It is a variation of the standard structure of furoshiki, so go ahead and wrap up a square box, you'll love how it looks.
When you look closely, some borders will seem incomplete. As if sea gulls were flying away...

SOMETSUKE

designer: Maki Kouno

This pattern adopts the images of white x marine blue (lapis lazuri) of Imari that is one of the top brand in the world of porcelain for long time, and also accepts the penmanship of porcelain colorations. At the same time we pay our homage to the Japanese pottery cultures and the artisans' techniques from the Jomon period of several thousand year ago.

Denim

designer: Jun Ito

Blue wash denim pattern with orange stitching.

Wrap with flowers

designer: MIYA JUNKO

With an image of such scenes that you wrap a precious item or present, flowers are depicted on the furoshiki to add a colorful impression to wrapped contents. Large flowers arranged at the four corners are seen by ways of wrapping providing different moods depending on the kind of flowers depicted.

STARRY SKY

designer: Sara Kikkoji

This is an image of a winter starry sky. When water is repelled, the water drops make the starry sky twinkle.

Miracle of blue

designer: Hiroshi Miyamae / Naoko Sonoda

Water can change its shape freely with natural phenomena, while furoshiki can change its shape freely with various scenes of people. By superimposing water and furoshiki, we have created a design softly enveloping people's thoughts and feelings with reflection of a fleeting moment of miracle and trajectory.

Wrapping with the Night Forest

designer: MIYA JUNKO

A forest illuminated by a large full moon. The unobtrusive pattern drawn in dark blue and white is sedate. Since the pattern is divided into two large halves, detailed pattern of plants and simple pattern, you can show each half as desired.

TOUCAN PARADISE

designer: Akiko Maruyama

This is a combination of agave, the most majestic of succulents, and the fluffy and charming toucan. The coexistence of these different images creates an interesting visual effect when wrapping in the furoshiki. This is a vivid and impactful pattern not only when spread out, but also when wrapped around things and partially displayed.

GOLDFISH

designer: Miki Takahashi

Goldfish swimming in the water call forth a cool breeze.
This familiar fish has been loved by the Japanese since the Edo-period (from 17th century to mid-19th century).

NOSHI (Abalone)

designer: ASAKURA SENPU Co., LTD

This design represents the traditional “abalone dried in thin strings.”
Great for New Year's otsutsumi or weddings.

Morning glory

designer: Maki Kouno

In a horticulture boom of the Edo-period (from 17th century to mid-19th century), cultivation of morning glory was popular. With the image of "hana-awase (flower contest)" in which the quality of various kinds of morning glories was judged, its bold and light design like the yukata (summer kimono) for a summer festival is made with various tie-dyed patterns.

machine

designer: Takuya Suga

It is a pattern of various machines of pictures colored at random using brown and gray as the base.Based on a musical image of synthesizer and speaker as well as an industrial image of series of various machines in line, we have pursued a pattern to be loved by not only young ladies but men as well.

SMILEY TOWN

designer: Takuya Suga

It is a furoshiki of a completely new atmosphere which wasn't seen in the lineup of "NAGARE" in the past. Colors of green, yellow, and red inserted into a town in the best placement are pleasant to the eye, so its design makes you want to use it in various situations.

COLORFUL

designer: Motohiro Ohsawa

It is the mysterious pattern which seems like many squares stand out in polka dots. Even though it uses Japanese classic colors, the image of this pattern is very modern and gives you a pop feeling.

GLENURQUHART CHECK

designer: ASAKURA SENPU Co., LTD

A trad glenurquhart check originally from Scotland.
Orange and blue add a little splash of color to this gray base.

ICHIMATSU

designer: Maki Kouno

It's a traditional Japanese checkerboard pattern. Big patterns and small patterns are divided in quarters. When you wrap a present with this furoshiki, you can put the small checkerboard pattern in front or the big one in front as you like.

COLORFUL FOREST

designer: Tsuyoshi Nemoto

Only ink-jet textle printing can derive this good balance of colors. Mysterious creatures live in the forest and they inspire our imagination.It is very beautiful and unique pattern for furoshiki.

KAKA

designer: Maki Kouno

Poppy patterns with various kind of Japanese flowers. Big and small flowers are overlapping each other which makes this pattern very splendid like a color palette.

Tiger and birds

designer: MIYA JUNKO

A tiger and two birds are combined like a trompe l'oeil. The corners are varied with dots and stripes. The fresh and striking color combination accentuates the outfit.

ENDLESS KNOT

designer: Jun Ito

The original hexagonal pattern is reminiscent of Edo faceting (cut glass). The repeated motif is a knot called an "endless knot" or "treasure knot," which is one of the eight auspicious symbols in Buddhism.

Tent

designer: MIYA JUNKO

Wrap with a Tent This depicts a large tent as seen from above. Around the vivid colored tent, the scene depicts people catching stars, relaxing in a mushroom forest, and animals playing around a pond, each with its own story to tell.

Stone story

designer: Minori Fujita

Ores and minerals have their own meanings and wishes, such as healing, harmony, and love. This pattern is designed based on the cross-section of the geological strata with such ores and minerals. The name ""Stone story"" represents the geological history as a story.

Daisy

designer: Chie Okamura

Scandinavian design of daisies with line drawings. When wrapped around an object, the lines of the petals look like a border pattern, making it easy to use in everyday life. The calming colors are reminiscent of ""just as it is,"" which is the language of the yellow daisy flower.

Kurukuru world

designer: Tsuyoshi Nemoto

A ""happy yellow"" world. Flowers, birds, and characters live smilingly in a yellow world. The square pattern spreading out from the center is reminiscent of a picture frame, giving it the appearance of trick art.

MONONOKE NIGHT

designer: OGAMI RENA

The motif is based on the picture scrolls of "Hyakki Yagyo," which depicts Japanese folk monsters parading through the night. In four seasons, mononoke (Japanese folk monsters) take night tours through modern nighttime streets, with some of them enjoying modern amusements such as smartphones and drones. A curled-up monster cat lurks in the center, which becomes the bottom when wrapped.

Otome Camellia

designer: Maki Kouno

The scientific name of the camellia is Camellia japonica. It is one of the most representative flowers of Japan. Among them, the otome camellia is said to be loved by world-famous fashion brands because of its perfect beauty. This design features a gentle color scheme reminiscent of the salmon-red and baby pink otome camellia.

Rice ball

designer: Ayana Ishikawa

Rice ball is a food often eaten when going out. A closer look reveals many colorful ingredients such as mustard greens, sesame, and baby sardines. It is our hope that you will use the furoshiki brightly and happily with the colorful mixed rice balls.

Birds

designer: MIYA JUNKO

This depicts many birds perching on the branches as seen from below. Large birds with silly expressions and small birds with flowers in their mouths seem to be chatting with each other. Using a white base with cleanliness, the design is humorous yet easy to use in daily life.

Flower Dance

designer: Yuri Kitamura

This is a gorgeous furoshiki design with various flowers blooming like dancing. It is designed to make your daily life more gorgeous with its use.

Glory of Nature

designer: MIYA JUNKO

With a nod to Taisho Modernism, glossy and graphical flowers, berries, and living creatures are depicted. The combination of various patterns makes it enjoyable not only when used as a wrapping cloth, but also when spread out.

Rabbit and Clover

designer: Hiroko Sueyoshi

This furoshiki has a flower crown motif with bouncing rabbits and fluffy white clover blooming gently. A lucky four-leaf clover is hidden inside the flower crown.

Wrapping in home

designer: MIYA JUNKO

This furoshiki features a variety of intricately interwoven houses, as well as the people and animals living there, like a trompe l'oeil painting. It is made up of a limited number of bright colors, so it is not too flashy, and the fun designs depict various scenes.

FLAG CHECK

designer: Jun Ito

The check design woven with flags of 204 countries and regions.
This is a new interpretation of the flags of nations.

MANJUSHAGE

designer: Maki Kouno

Manjushage is an alias of spider lily, which blooms during equinox.
Commonly displayed in red, but you can find the white blossom variety.
The elegant floral pattern brings alive the elegant white color.

NEO HEMP LEAF

designer: Maki Kouno

Asanoha (hemp leaf) pattern was popular in short-sleeved Kimono during the Edo-era (from 17th century to mid-19th century).
Plum and cherry blossoms, narcissus and Japanese iris were drawn into a circle, and it became a very stylish modern Japanese design.

Sweets map

designer: Hiroko Sueyoshi

This colorful sweets map is based on an imaginary city. The city has every kind of sweet you can think of, not only Japanese and Western sweets, but also drinks, jams and more. Please take the fun map with you and visit different places.

TAZUKASUMI

designer: Maki Kouno

"Tsuru-zu Shita-e Waka Kan (poem scroll with underpainting of cranes)" by Sotatsu Tawaraya, the founding father of a Japanese art style "Rinpa," is its image sauce. "Tazu" is an old term for crane in Manyo-shu (the oldest anthology of tanka). Though a traditional pattern "Kasumi-mon " is used for its background, it has a modern design of the flying crane in the sky of the new era Reiwa.

USUZUMIZAKURA

designer: Yuko Yamashita

The usuzumizakura, a mountain cherry blossom, blooms and quietly falls under the moonlight deep in the mountains.
The change from indigo to light grey shows the gradation of a night sky.

KABUKI WILLOW

designer: Yuko Yamashita

An edo-style wind chimes vendor pulls his stand.
The overwhelming coolness of the willow branches lulls you into an afternoon nap.
Playing with the wind, branches of a willow, waves in the river, and wind chimes.

SMALL DISHES

designer: Minori Fujita

Small dishes are used everyday in Japan when you have Japanese foods. They are very traditional and make the table floridly. This furoshiki goes well with kimono because it is made by crepe material.

ARABESQUE

designer: ASAKURA SENPU Co., LTD

When thinking of furoshiki, arabesque comes to mind.
Instead of the standard green, we gave it a twist with indigo-like blue.

FLIGHT PATTERN

designer: ASAKURA SENPU Co., LTD

Retro purple arrow feathers reminiscent of Taisho (early 20th century) Romanticism.
The arrow feather design has been loved over the years as a good luck charm to repel misfortune at religious ceremonies and seasonal festivals.

GREAT WAVE

designer: Jun Ito

A traditional pattern of SEIGAIHA (blue ocean waves) is superimposed on the masterpiece “The Great Wave off the Coast of Kanagawa” from “Thirty-six Views of Mount Fuji” by Katsushika Hokusai (1760-1849), and printed on a large furoshiki. Depending on the way it is wrapped, the pattern changes its appearance to black, blue or mainly pink, making it an easy-to-use pattern. Also suitable as a gift for people overseas.

Squirrels on trees

designer: Hiroko Sueyoshi

An above view of many squirrels and birds living on trees is drawn. To be approachable for adults in spite of its animal design, its color scheme is slightly dry with the dark gray background.

ASAGI
(Pale blue-green)

designer: Naomi Shirai

This furoshiki's motif is Parantica sita. This butterfly has elegant wing and flies long distance. Parantica sita's scales has an effect of water repellent so it is the best motif for NAGARE.

THE CATS OF WEALTH

designer: Chiemi Itoi

Many Maneki-neko, or beckoning cats are radially drawn utilizing a pen, watercolor paints and colored pencils. They are believed to draw happiness and fortune, by beckoning with one paw. Please wrap up what you choose in the Furoshiki together with fortune they bring in.

Chiyogami

designer: Chie Okamura

Decorative paper, flower floating, flowers of eternity, flower kimono The design is intended to evoke an image of a time that is both glamorous and elegant. The composition features a warm breeze blowing through a bamboo blind, scattering flower garlands and cherry blossoms.

Pixeled Ichimatsu pattern

designer: ASAKURA SENPU Co., LTD

Ichimatsu pattern, a Japanese classic checkered pattern is drawn on Furoshiki with dots in aubergine which is fit for people of all ages regardless of sex.
(*Ichimatsu pattern was first sawn in Haniwa figurine’fs costume in Kofun period around 3th century, then used by only noble persons, but became popular among citizens in Edo period(1603-1868) when Kabuki actors started wearing this pattern costume)

AKAYA'S ANIMALS

designer: iicamo

In agreement with the Akaya Project initiative from the Nature Conservation Association of Japan which aims for the restoration of biological diversity and the creation of sustainable communities, Akaya’fs Animals features a camouflage pattern with a motif of the rare animals that live in the 10,000-hectare national forest, Akaya Forest, that extends across the border between the northern part of Gunma Prefecture’fs Minakami-machi and Niigata Prefecture.

COW

designer: iicamo

Cow-motif Camouflage hide pattern. Cows swarm leisurely, feeding on hay in various parts of the pattern. Maybe you and your friends should try to find out cows in the characteristic mottled pattern with lots of laughs and good fun.

NATIVES

designer: iicamo

Totem pole-themed camouflage pattern. What you can see here and there are hiding various characters in legends and mythology passed down from generation to generation among aboriginal people living in northwest coastal area facing the Pacific Ocean in North America.
It is nice to look at their facial expression full of life and showing something humorous.